Ethnic Pluralism in Composing? Yes!

Ethnic Pluralism in Music:  A Song's Journey from Klezmer to Hindu

(image courtesy http://www.jazzguitar.be/melodic_minor_modes.html)

I've been replacing my social media time with composing time at the piano.  A while ago I dove into a Jewish Fakebook for a Hanukkah party.  At the party, I found myself deeply enamored with the music, as my friend John sat by and translated the Hebrew for me.  But it was the energized sadness of Jewish music that stuck with me for weeks -- and apparently, its influence has infiltrated my composing.

So when a recent bout of insomnia hit, I resisted the urge to dip into the fomenting cauldron of social media addicts.  Instead, I hit the piano with a tune that was hopping around in my mind.  (I've actually cut back my social media time dramatically, an accomplishment facilitated by my investment in a "smart" flip phone.  Aye, it's pretty dumb by Apple standards, but it has helped me eliminated wasted time and replace it with artistic productivity.)

Back to the tune...

My intent was to compose something for a student.  I have always had a vision of composing a piece for every student and having the students perform my compositions in recital.  But I often get off course and the piece gets complicated; too complicated for a beginner.  This could be something I just have to accept.  But, nonethless, the piece became very interesting as I complexified it (that is one of my favorite made-up words).

My creation became a whimsical, syncopated dance of Klezmer Band meets Blues Pianist (of course, it is easy to take any Jewish minor piece for a detour into the blues scale, since the minor pentatonic is only one note shy of the blues scale).  As I allowed the piece to become a little more wild, it journeyed into some very long 7th chords stacked with 9ths and 11ths.  Finally, it landed on a very strange jazz chord (D-F#-G#-C) which gave me quite a stir!  I quickly discovered a delicious scale to marry with this chord, but I had no idea of what scale I'd stumbled upon.  I knew it looked familiar but I couldn't put my finger on it.  Later, at a piano lesson, I explained to my student that it looked like the A melodic minor (ascending) but it started on the 5th, so maybe it was Myxolydian Melodic Minor.  

When I got back home I looked it up.  Lo and behold...imagine my suprise that the Jewish romp-turned jazz tune had led me to a Hindu scale (also called a Mixolydian b6 or Mixolydian b13 or Aeolian Dominant Scale).  My scale was an E Hindu Scale.  This scale deceptively looks like a major in the beginning but suddenly turns minor in the last few notes.  Now my Eastern European-Jewish composition was flirting with Indian and American Blues scales...how cool is that?  Actually, I am quite enjoying it and can't wait to finish and share!

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Jennifer Warren-Baker is the owner of Piano 2 Go, a mobile music service offering in-home and Skype instruction in piano and composition, as well as piano entertainment.  Her business is headquartered in Purcellville, Virginia, USA.