Showing posts with label songwriting. Show all posts
Showing posts with label songwriting. Show all posts

Wednesday, December 27, 2017

"Maybe I'm Amazed" as a Case Study in Good Songwriting

The chromatic piano bass walk at 00:55. A simple detail, but an example of what's missing from modern popular music arrangements. I've been trying to figure out what song this little chromatic piano bass walk was in (it was filed in my head but I could't remember what song). I wanted to show my songwriting students so they can incorporate this sort of bass walk into their accompaniments. Well, here it is. It's a chromatic scale from the root to the 7th of a dominant 7th chord. Some say it's cliche. I like it. I want to hear more cool bass walks in modern pop music. This is just one example. The piece flirts with 3 different keys and has chords that confuse the heck out of music theorists (they don't seem to belong, and yet, they work). The chorus is transposed up from the verse and contains 3 different variations of a D chord (D Ma, DMa7, and D7). How's that for variety? Who transposes the chorus anymore? Well some do at the end of the song, but it's less common to go back and forth between keys as Paul does here. Then there's a clear B section that's a definite contrast (I'm not sure modern pop artists know what a true B section is). Also, considering that most modern pop songs only have four chords max, Paul McCartney should be hailed as a pop genius for having 12 different chords in this piece. They are:

1. A
2. D
3. Dm
4. Em7
5. Bb
6. F
7. C
8. G
9. Ab
10. Eb
11. DMa7
12. D7

Wow! That's a lot of chord variety! YES. Study the Beatles if you want to write good songs (this was performed by Wings, after the Beatles broke up). Also study Carole King, Billy Joel, and Elton John. Always look to the classic rockers for good songwriting.

So what makes a good song?

  • MORE THAN 4 CHORDS (ok that eliminates most of today's pop music, true)
  • A CLEAR B SECTION THAT IS SUBSTANTIALLY DIFFERENT, WITH DIFFERENT CHORDS -- THAN THE A SECTION. A BRIDGE IS NICE TOO (C SECTION). Expose your kids to musical theatre....it really helps expose them to clear-cut musical form.
  • SOME 7TH CHORDS THAT ARE NOT GARDEN-VARIETY 7TH CHORDS (ie, not just dominant 7ths, but major 7ths and minor 7ths). Heck, if you can throw a diminished 7th in there, you're a super-hero.
  • COOL BASS LINES AND UNEXPECTED BASS TONES LIKE PAUL'S G/C IN THIS SONG.
  • COOL INSTRUMENTAL FILLS
  • A GOOD INSTRUMENTAL SOLO WITH IMPROV
  • GOOD LYRICS WITH CREATIVE WORD CHOICE (study musical theatre)
  • RHYTHM'S IMPORTANT, TOO, BUT WE'LL COVER THAT LATER....
Lyrics are far less noticeable to me -- because I'm a musician. But a good song must have both.


Saturday, October 18, 2014

A Crybaby's Pro-Arts Manifesto

Call me sensitive, but I often cry in the presence of a moving musical phrase, at the height of a crescendo, or when I witness rare talent in a young person.  Yeah, I'm a crybaby.  I wear my heart on my sleeve.  This week was full of such moments.

First, I watched a dancer perform a solo contemporary dance routine for a ballet class I was accompanying.  While I can't be certain, I suspect she choreographed it herself, to music she chose. As the electric guitar wailed, this girl was putting out everything that she had to give.  There was no holding back, and it was obviously her passion.  Her skill was second to none, but it was her feeling and passion that moved me.  The expression on her face told me that this was who she was.
Dance meant everything to her; it was her mode of being -- her life.  
I had to cry.  I couldn't help it.  At the same time, I felt embarrassed or ashamed for doing so.  But should I feel embarrassed for putting my feelings out in the open?  Isn't that the point of art?  To swell our emotions and bring joy to our hearts?  Honestly, I think our society is emotionally repressed.  That's why I feel guilty for opening my tear ducts in public.  I really think I should be Italian.

Today I heard my twelve-year old composition student play and sing a song that she wrote...her first song with words.  I had just started her on accompanying techniques; how to play while you sing.  I figured I was planting a seed for songwriting, but I had no idea that such a vigorous sprout would burst forth from that seed.  I was pretty sure her skill at composition and her skill at singing could be artfully joined.  The previous week, I had started her on a song I was pretty sure she knew -- "Say Something," by Great Big World. Sure enough, she had it on her iPod.  It's an emotional ballad that relies on simple chord-pulsing for accompaniment, allowing the singer to focus on her singing and not a difficult piano part.  So after playing and singing that all week, she decided to write a song last night. This was not an assignment that I gave her.

It was something she WAS INSPIRED TO DO - OF HER OWN ACCORD.  Of course, I DEMANDED to hear it!  

As she played and sang her very first original song with words, I began to cry.  I think her mom was crying too.  We couldn't help it.  On her very first effort, it was creatively harmonized, the lyrics were moving and clever, the accompaniment was imaginative, and the delivery was sincere and pure.  She wasn't trying to please anyone or meet a standard; she was just sharing her unique creative genius and her heart, something the school system rarely asks of its pupils.

Her achievement came not from following orders, but from doing what she enjoyed, and working hard at it -- because she WANTED TO.  

There were most certainly technical things to tweak, but I couldn't believe my ears; the raw talent and creativity that I heard.  Not all children/ musicians have the gift of crafting an original song that is dripping with soul, or do they?  Perhaps we are so busy suppressing their imaginations in order to meet standards. Why is it that more of my past piano students composed than most of my colleagues' students combined?  Is it because their method book told them to?  No.  Is it because my own identity as a composer inspired them to try it?  To realize it was possible?  Did my confidence as a creative artist somehow free them to explore composition?  I think so!  If teachers can't inspire, can they really expect their students to soar, just by directing and controlling?  Absolutely not!

Creative genius, whether it's dance, writing, or music, is a rare gift to those who have the privilege of being on the receiving end.  I think of what a sad world it would be without artists like this to help us feel and see life in new and beautiful ways.  And they want to cut arts budgets out of school; as if children are only supposed to be data processing machines!

Data in, data out.

Is that what we have boiled our youth down to?  No wonder -- the suicide rate nowadays.

                  We care about the numbers more than children's hearts.

My mother, a fourth grade teacher, is complaining about all the data she has to submit to the school system lately.  It's all about the data, the test scores, the graduation rates, and the college admissions. It's all one big driving force designed to produce obedient, tax-paying citizens and a thriving economy full of revenue-generating workers whose taxes can pay for the overgrown and flawed school system.  Ok, a necessary evil, perhaps, to keeping our economy afloat, but still...a vicious cycle.

But what if we cared enough to ask our children about their feelings and interests, rather than pressing them through an education factory that expects perfect well-roundedness out of every student?  What if we asked them which disciplines they would like to focus on, and gave them even more arts?  

Might we find that greater academic effort and success is a natural byproduct of emotionally healthy kids who have more say over what they study, and more artistic outlets?

What of children's emotions anyway?  Are they unimportant? How often do we ask children to write in a journal about how they feel today?  And they refuse to put drama classes in our county's middle schools because - - why???   I know I am in the presence of excellent public schools, being in Loudoun County, Virginia, but what about all the caged hearts and suppressed artists?

What happens to kids when we care more about data than hearts?  What happens when the classes are so large that the kids rarely get one-on-one instruction?  Do kids fall through the cracks?  Do loners get ignored or shunned?  Do pent-up emotions take their toll when there is no outlet through artistic expression? Do kids decide to check out of life because they are just a nameless number, and no one cares?

No one took their own life while I was in high school.  And now, it seems like there is at least one teen suicide in my town every year.  I know there are far more attempted suicides that are not completed.  Is it because we're not tending to these children's emotions?